SQUISHMALLOWS Plush Wendy L12 7.5 inches Green
SQUISHMALLOWS Reversible Plush 2 in 1 Shozo & Daley L12 5 inches Multi-Color
SQUISHMALLOWS Plush Rutanya L12 12 inches Light Blue
SQUISHMALLOWS Plush Tudor L12 12 inches Pink
SQUISHMALLOWS Plush Gasten L12 7.5 inches Multi-Color
SQUISHMALLOWS Plush Morlai L12 5 inches Pink
SQUISHMALLOWS Plush Tatiana L12 7.5 inches Light Blue
SQUISHMALLOWS Plush Dave L12 7.5 inches Deep Pink
SQUISHMALLOWS Plush Apollo L12 12 inches Multi-Color
SQUISHMALLOWS Plush Carmichael L12 12 inches Multi-Color
SQUISHMALLOWS Plush Nahomy L12 12 inches Purple
SQUISHMALLOWS Plush Prince L12 12 inches Multi-Color
SQUISHMALLOWS Plush Spotts L12 12 inches Blue
SQUISHMALLOWS Plush Rebecca L12 12 inches Multi-Color
SQUISHMALLOWS Plush Cooper L12 5 inches Orange
SQUISHMALLOWS Plush Cillian L12 5 inches Multi-Color
SQUISHMALLOWS Plush Mister L12 5 inches Yellow
SQUISHMALLOWS Plush Maria Del Mar L12 7.5 inches Purple
SQUISHMALLOWS Plush Dianalee L12 7.5 inches Pink
SQUISHMALLOWS Plush Philip L12 7.5 inches Brown
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.