PLARAIL R 12 LOOP POINT
PLARAIL J 27 PL KIDS CROSSING SET
PLARAIL R 03 CURVED RAILS
PLARAIL R 20 PLA 14 STRAIGHT RAIL
PLARAIL R 10 PLA U TURN RAIL
PLARAIL J 18 CORSSING WITH SOUND
PLARAIL R 15 PR DOUBLE WLDE PIONT RAIL
PLARAIL J 10 SIGNAL RENEWAL
PLARAIL R 18 CURVE SLOPE RAIL
PLARAIL J 22 PLA DOUBLE TRACK
PLARAIL S 54 PR KEISEI SKY LINER AE KA
PLARAIL J-20 Tomica Automatic Crossing
PLARAIL R 08 STOP RAIL
PLARAIL J 01 PLA TUNNEL
PLARAIL R 19 AUTO TURN OUT
PLARAIL Hokuto Train TMPL02174981 Multi-Color
PLARAIL J 07 CAR WASHER
PLARAIL R 05 DOUBLE TRACK CURVE
PLARAIL J 08 NEW TURN TABLE
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.