LEGO Block Toys Ghost & Phantom 75357 Multi-Color
LEGO Block Toy Boutique Hotel 10297 Multi-Color
LEGO Block Toy Camping Trip 10452 Multi-Color
LEGO Block Toy Winnie the Pooh’s Birthday 10457 Multi-Color
LEGO Great Pyramid of Giza 21058
LEGO Technic John Deere 948L-Ii Skidder 42157
LEGO Disney Classic Walt Disney Tribute Camera 43230
LEGO Creator Magical Unicorn 31140 Multi-Color
LEGO Block Toy Off Road Race Buggy 42164 Multi-Color
LEGO Audi RS Q e-tron Building Toy Set (914 Pieces) Technic 42160
LEGO Yamaha MT-10 SP Building Kit (1,478 Pieces) Technic 42159
LEGO Block Toy Police Prison Island 60419 Multi-Color
LEGO Block Toy Cole’s Elemental Earth Mech 71806 Multi-Color
LEGO Block Toy Nabbit At Toads Shop 71429 Multi-Color
LEGO Super Heroes Venom Mech Armor vs. Miles Morales 76276
LEGO Super Heroes X-Men X-Jet 76281
LEGO Block Toy 3 In 1 Space Shuttle Adventure 10422 Multi-Color
LEGO Block Toy Space Astronaut 31152 Multi-Color
LEGO Block Toy Arin’s Battle Mech 71804 Multi-Color
LEGO Block Toy Steves Desert Expedition 21251 Multi-Color
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.