LEGO Block Toy Alphabet Truck 10421 Multi-Color
LEGO Block Toy C-3PO 75398 Multi-Color
LEGO Block Toy Source Dragon of Motion 71822 Multi-Color
LEGO Block Toy Big Interactive Community Train 10428 Multi-Color
LEGO Block Toy Medieval Town Square 10332 Multi-Color
LEGO Lamborghini Huracán Tecnica Building Toy Set (806 Pieces) Technic 42161
LEGO Block Toy Visa Cash App RB VCARB 01 F1 Race Car 77246 Blue
LEGO Block Toy Jungle Explorer Off-Road Truck 60426 Multi-Color
LEGO Block Toy Magical Transparent Box 11040 Multi-Color
LEGO Block Toy BWT Alpine F1 Team A524 Race Car 77248 Multi-Color
LEGO Star Wars TM Chewbacca 75371
LEGO Block Toy R2-D2™ 75379 Multi-Color
LEGO Block Toy Aston Martin Aramco F1 AMR24 Race Car 77245 Green
LEGO Block Toy Heartlake City Music 42616 Multi-Color
LEGO Block Toy Ducati Panigale V4 S Motorcycle 42202 Red
LEGO Block Toy Travel Moments 41838 Multi-Color
LEGO Block Toy Guardians of the Galaxy: The Milano 76286 Multi-Color
LEGO Block Toy The Dark Falcon 75389 Multi-Color
LEGO Block Toy Volvo FMX Truck & EC230 Electric Excavator 42175 Multi-Color
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.