SQUISHMALLOWS Stuffed Toys Zaine L6 12 Inch Almond
SQUISHMALLOWS Stuffed Toys Ronnie L6 12 Inch Light Yellow
SQUISHMALLOWS Stuffed Toys Wendy L6 12 Inch Green Yellow
SQUISHMALLOWS Stuffed Toys Mannon L6 12 Inch Multi-Color
SQUISHMALLOWS Stuffed Toys Magdalena L6 12 Inch Barbie Pink
SQUISHMALLOWS Stuffed Toy Mario L7 12 Inch Brown
SQUISHMALLOWS Stuffed Toy Ankur L7 12 Inch Aquamarine
SQUISHMALLOWS Stuffed Toy Lars L7 12 Inch Lime
SQUISHMALLOWS Stuffed Toy Natnat L7 12 Inch Light Blue
SQUISHMALLOWS Stuffed Toy Horace L7 12 Inch Multi-Color
SQUISHMALLOWS Stuffed Toy Caine L7 14 Inch Coral
SQUISHMALLOWS Stuffed Toys Brock L5 7.5 Inch Light Yellow
SQUISHMALLOWS Stuffed Toys Leland L5 7.5 Inch Multi-Color
SQUISHMALLOWS Stuffed Toy Sandrine L7 14 Inch Lavender
SQUISHMALLOWS Stuffed Toys Delita L6 14 Inch Multi-Color
SQUISHMALLOWS Forina 16 Inch SQ12024523V120
SQUISHMALLOWS Stuffed Toys Forest Size 7.5 inch Muti-color
SQUISHMALLOWS Stuffed Toys Banks Size 20 inch Muti-color
SQUISHMALLOWS Red Dino / Poleena 20 Inch SQ12024559RDL2
SQUISHMALLOWS Stuffed Toys Onel L5 7.5 Inch Pumpkin
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.