SQUISHMALLOWS Stuffed Toys Borsa L6 7.5 Inch Multi-Color
SQUISHMALLOWS Stuffed Toys Ainhoca L5 7.5 Inch Multi-Color
SQUISHMALLOWS Stuffed Toy Weaver L7 7.5 Inch Coral
SQUISHMALLOWS Stuffed Toys Dear L5 7.5 Inch Light Blue
SQUISHMALLOWS Stuffed Toys Robert L5 7.5 Inch Sky Blue
SQUISHMALLOWS Stuffed Toys Visconti L5 7.5 Inch Light Yellow
SQUISHMALLOWS Stuffed Toys Loraly L6 7.5 Inch Multi-Color
SQUISHMALLOWS Stuffed Toys Sloan L5 7.5 Inch Purple
SQUISHMALLOWS Stuffed Toy Cavaleri L7 7.5 Inch Green Yellow
SQUISHMALLOWS Stuffed Toys Baptise L6 7.5 Inch Multi-Color
SQUISHMALLOWS Stuffed Toy Perry L7 7.5 Inch Light Blue
SQUISHMALLOWS Stuffed Toy Sergio 7.5 Inch Red
SQUISHMALLOWS Plush Pama L11 12 in Multi-Color
SQUISHMALLOWS Stuffed Toys Clip On Pepper L6 3.5 Inch Cotton Candy
SQUISHMALLOWS Stuffed Toys Theotto L5 7.5 Inch Sky Blue
SQUISHMALLOWS Stuffed Toy Jenna L7 7.5 Inch Magenta
SQUISHMALLOWS Stuffed Toy Juniper 7.5 Inch Lime
SQUISHMALLOWS Stuffed Toy Leif L7 7.5 Inch Mustard
SQUISHMALLOWS Stuffed Toy Grady L7 5 Inch Grey Beige
SQUISHMALLOWS Stuffed Toy Waverly L8 7.5 Inch Blue
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.