FOF KIDS Girl Shorts Bear Print Pink
FOF KIDS Girl T-Shirt Sleeveless Crew Neck Star Fish Print Orange
FOF KIDS Girl T-Shirt Sleeveless Crew Neck Vegetable Print Light Green
FOF KIDS Girl T-Shirt Sleeveless Crew Neck Flower Print Red
FOF KIDS Girl T-Shirt Frill Sleeves Crew Neck Fruit Print Lavender
FOF KIDS Girl T-Shirt Short Sleeves Floral Print Light Blue
FOF KIDS Girl Shorts Print Lilac
FOF KIDS Girl T-Shirt Graphic Print With Fringe Pink
FOF KIDS Girl T-Shirt Frill Sleeves Crew Neck Lemon Print Yellow
FOF KIDS Girl T-Shirt Floral Print With Ruffle White
FOF KIDS Girl Shorts Print Light Blue
FOF KIDS Boy Pants Disney Mickey Mouse Embroidery Light Blue
FOF KIDS Boy Sweater Disney Mickey Mouse Printed White
FOF KIDS Boy Shirt Disney Mickey Mouse Printed Light Blue
FOF KIDS Boy Shirt Disney Mickey Mouse & Minnie Mouse Printed Green
FOF KIDS Boy Sweater Disney Mickey Mouse Printed Green
FOF KIDS Boy T-Shirt Round Neck Disney Pixar Aqua
FOF KIDS Boy Hood Sweater Disney Pixar Green
FOF KIDS Boy T-Shirt Decorated Pocket Disney Pixar Blue
FOF KIDS Boy Shorts Disney Pixar Grey
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.